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Review: “The Turn of the Screw” at Nashville Opera

There's something almost peculiarly and particularly English about a story involving a governess, a country house that may actually be permanently swathed in mist,...

Review: “Madame Butterfly” at Nashville Opera

From Madame Butterfly:   Butterfly: They say across the seas that if a butterfly falls into a man's hand, he'll pierce its heart with a pin...

Profile: Tenor Adam Diegel

Adam Diegel has made a home for himself with opera companies around the world.  He's performed in Wagner's Das Rheingold at the Metropolitan Opera, sung Don...

Nashville Opera to Receive National Endowment for the Arts Grant

National Endowment for the Arts Acting Chairman Mary Anne Carter has approved more than $80 million in grants as part of the Arts Endowment’s...

Review: “The Cradle Will Rock” at Nashville Opera

When Marc Blitzstein’s The Cradle Will Rock premiered in 1937, the original production was shuttered before it could open.  With its blunt-force plot that villainized the...